tag:blogger.com,1999:blog-73511999986250193622024-03-14T02:54:07.956-07:00Pembe Gözlüklü KediDÜNYADA ESKİ KAYITLARI DÜZELTİLEN TEK BLOG!Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.comBlogger330125tag:blogger.com,1999:blog-7351199998625019362.post-9665481860865980722024-01-02T03:48:00.000-08:002024-01-04T06:12:24.224-08:002023'den HatırlanacaklarBelki şunlar...
Kara Jackson - Why Does The Earth Give Us People To Love?
Peter Gabriel - i/o
Yves Tumor, Praise a Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds)Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-58836296240484831572022-12-30T02:03:00.013-08:002023-10-24T22:58:33.914-07:002022'den Hatırlanacaklar<div style="text-align: left;">Artık zorla devam eden bir gelenek... Ama bu senenin de albümlerini yazalım bakalım.</div><div style="text-align: left;"><br />Arctic Monkeys – The Car<br />Beyoncé – Renaissance<br />Fontaines D.C. – Skinty Fia</div><div style="text-align: left;">Kaan Tangöze – Aşık Mahzuni Şerif Türküleri<br />Kae Tempest – The Line Is A Curve<br />Koudlam – Precipice Fantasy Part. I<br />Leyla McCalla – Breaking The Thermometer<br />Ibibio Sound Machine – Electricity<br />Yard Act – The Overload</div><div style="text-align: left;"><br />Bonus'lar:<br />Black Country, New Road – Ants from Up There<br />Charlotte Adigéry / Bolis Pupul – Topical Dancer</div><div style="text-align: left;">Kendrick Lamar – Mr Morale & The Big Steppers<br />Kevin Morby – This Is a Photograph<br />Lizzo – Special<br />Moor Mother – Jazz Codes</div><div style="text-align: left;">Soul Glo – Diaspora Problems</div><div style="text-align: left;">Steve Lacy – Gemini Rights</div><div style="text-align: left;">Sudan Archives – Natural Brown Prom Queen<br />Wet Leg – Wet Leg<br />Wu-Fu – LOGGERHEAD</div><div style="text-align: left;"><br /></div><div style="text-align: left;"><div><br /></div><div><br /></div></div>Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-58141386592284269382021-12-30T11:42:00.000-08:002021-12-30T11:42:46.126-08:002021'den kalanlar<p>Geleneği bozmayayım, 2021'de dinlediklerimi de yazayım.</p><p class="MsoNormal">Amyl and the Sniffers - Comfort to Me<o:p></o:p></p>
<p class="MsoNormal">Arlo Parks - Collapsed in Sunbeams<o:p></o:p></p>
<p class="MsoNormal">Arooj Aftab - Vulture Prince<o:p></o:p></p>
<p class="MsoNormal">Artifacts - …and Then There’s This<o:p></o:p></p>
<p class="MsoNormal">Billie Eilish - Happier Than Ever<o:p></o:p></p>
<p class="MsoNormal">Black Midi - Cavalcade<o:p></o:p></p>
<p class="MsoNormal">Black Country, New Road - For the First Time<o:p></o:p></p>
<p class="MsoNormal">Ches Smith / We All Break - Path of Seven Colors <o:p></o:p></p>
<p class="MsoNormal">Citizen Cope - The Pull of Niagara Falls<o:p></o:p></p>
<p class="MsoNormal">Damon Albarn - The Nearer The Fountain, More Pure The Stream
Flows<o:p></o:p></p>
<p class="MsoNormal">Gaspard Augé - Escapades<o:p></o:p></p>
<p class="MsoNormal">James Brandon Lewis - Jesup Wagon<o:p></o:p></p>
<p class="MsoNormal">Low – HEY WHAT<o:p></o:p></p>
<p class="MsoNormal">Madlib – Sound Ancestors<o:p></o:p></p>
<p class="MsoNormal">Matthew E. White & Lonnie Holley - Broken Mirror: A
Selfie Reflection<o:p></o:p></p>
<p class="MsoNormal">Mon Laferte - SEIS <o:p></o:p></p>
<p class="MsoNormal">Nick Cave & Warren Ellis – Carnage<o:p></o:p></p>
<p class="MsoNormal">Rhiannon Giddens (with Francesco Turrisi) - They're Calling
Me Home<o:p></o:p></p>
<p class="MsoNormal">Sault - Nine<o:p></o:p></p>
<p class="MsoNormal">Sleaford Mods - Spare Ribs<o:p></o:p></p>
<p class="MsoNormal">Sons of Kemet - Black to the Future<o:p></o:p></p>
<p class="MsoNormal">TEKE::TEKE - Shirushi<o:p></o:p></p>
<p class="MsoNormal">The Anchoress - The Art of Losing<o:p></o:p></p>
<p class="MsoNormal">The Bug - Fire<o:p></o:p></p>
<p class="MsoNormal">The Coral - Coral Island<o:p></o:p></p>Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-76977484208493734812020-12-30T23:11:00.004-08:002023-11-07T22:04:33.814-08:002020'de Dinlediklerim<p>Angelica Garcia - Cha Cha Palace</p><p>Asaf Avidan - Anagnorisis </p><p>Bill Fay - Countless Branches</p><p>Bob Dylan - Rough and Rowdy Ways</p><p>Fiona Apple - Fetch the Bolt Cutters</p><p>Idles - Ultra Mono</p><p>Jeff Rosenstock - NO DREAM</p><p>Julian Cope - Self Civil War</p><p>Moses Sumney - Græ</p><p>Paul McCartney - McCartney III (*)</p><p>Paul Weller - On Sunset</p><p>Perfume Genius - Set My Heart on Fire Immediately</p><p>Run the Jewels - RTJ4</p><p>Sault - Untitled [Black Is] + [Rise] </p><p>Sparks - A Steady Drip, Drip, Drip </p><p>Stephen Malkmus - Traditional Techniques</p><p>The Koreatown Oddity - Little Dominiques Nosebleed</p><p>The Strokes - The New Abnormal</p><p>U.S. Girls - Heavy Light</p><p>Yves Tumor - Heaven To A Tortured Mind</p><p><br /></p><p>Bonus:</p><p>Aoife Nessa Frances - Land of No Junction</p><p>Bruce Springsteen - Letter To You</p><p>Jessie Ware - What's Your Pleasure?</p><p>Pearl Jam - Gigaton</p><p>The Pretenders - Hate For Sale</p><p>Tony Allen & Hugh Masekela - Rejoice</p><p><br /></p><p>(*) Paul McCartney'nin bu albümünü henüz dinlemedim ama son solo albümleri New (2013) ve Egypt Station (2018) o kadar hoşuma gitmişti ki, 20'yi onunla tamamlamak istedim.
(**) Evet, şimdi dinledim. Tahmin ettiğim gibi, mükemmel.</p>Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-20139004085899367772019-12-31T02:05:00.003-08:002019-12-31T02:05:57.337-08:00Geldik 2019'a<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: white; color: #444444; font-family: "times new roman", serif; font-size: 12pt;">Arada atladıklarım çok oldu ama listeyi de uzatmak istemedim...</span><br />
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Aldous Harding – Designer<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Black Pumas – Black Pumas<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Billie Eilish – When We All Fall Asleep, Where Do We Go?<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Bruce Springsteen – Western Stars<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Danny Brown – uknowhatimsayin¿<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">FKA twigs – MAGDALENE<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Jamila Woods – LEGACY! LEGACY!<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Jenny Lewis – On the Line<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Lana Del Rey - Norman Fucking Rockwell!<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Michael Kiwanuka – Kiwanuka<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Nilüfer Yanya – Miss Universe<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Purple Mountains - Purple Mountains<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Rustin Man – Drift Code<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Sudan Archives – Athena<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Angel Olsen – All Mirrors<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Nick Cave & The Bad Seeds – Ghosteen<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Tyler, the Creator – IGOR<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Roma (OST) / Music Inspired by the Film Roma<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Santana – Africa Speaks<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12pt; line-height: 17.12px;">Vampire Weekend – Father of the Bride<o:p></o:p></span></div>
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-38365503154163553842019-12-31T02:05:00.000-08:002019-12-31T02:12:52.733-08:002010-2019 arası döküm<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">50 albümü aştı, üstelik ekleyemediklerim de çok ama...</span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Ali
Farka Toure & Toumani Diabate – Ali & Toumani<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Arcade
Fire – The Suburbs<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Arctic
Monkeys – AM / </span><span style="background-color: white; color: #444444; font-family: "Times New Roman", serif; font-size: 12pt;">Tranquility
Base Hotel And Casino</span><br />
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<span style="background: white; color: #444444; font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 107%;"><o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">A
Tribe Called Quest – <span style="mso-bidi-font-style: italic;">We got it
from Here... Thank You 4 Your Service<o:p></o:p></span></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Billie
Eilish – When We All Fall Asleep, Where Do We Go?<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Charlotte
Gainsbourg – Rest <o:p></o:p></span></div>
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<span style="color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Curtis Harding - Face Your Fear</span><span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;"><o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Benjamin
Clementine – At Least For Now / I Tell A Fly <o:p></o:p></span></div>
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<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt;">Bilal - A Love Surreal</span><span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt;"><o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Bobby
Womack – The Bravest Man In The Universe<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Bruce
Springsteen – Western Stars<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Daft
Punk - Random Access Memories<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">D'Angelo
and the Vanguard – Black Messiah<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Danny
Brown – Atrocity Exhibition / Old<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">David
Bowie – Blackstar<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Dirty
Projectors – Dirty Projectors<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">FKA
twigs – MAGDALENE<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Fiona
Apple – The Idler Wheel<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Foals
– Total Life Forever<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Gil
Scott-Heron – I’m New Here<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Grizzly
Bear – Painted Ruins<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Hindi
Zahra – Handmade<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Iggy
Pop – Post Pop Depression<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Jamie
xx – <span style="mso-bidi-font-style: italic;">In Colour</span><o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Janelle
Monáe – Dirty Computer<span style="mso-spacerun: yes;"> </span>/ The Electric
Lady<o:p></o:p></span></div>
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<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt;">Julian Cope </span><span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt;">–</span><span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt;"> Revolutionary
Suicide</span><span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt;"><o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-add-space: auto;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt;">Justin Timberlake </span><span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt;">–</span><span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt;"> The 20/20
Experience<o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-add-space: auto;">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt;">Kamasi Washington – Epic / Heaven and Earth </span><span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt;"><o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Kayne
West – Yeezus <o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Kendrick
Lamar - good kid, m.A.A.d city / To Pimp a Butterfly/ untitled unmastered / Damn
<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">King
Krule – 6 Feet Beneath the Moon / The Ozz<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Kurt
Vile – Walkin On A Pretty Daze<o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">LCD
Soundsystem – American Dream <span style="mso-spacerun: yes;"> </span>/ This Is
Happening <o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Loyle
Carner – Yesterday's Gone <o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Marvin
Pontiac – Marvin Pontiac: The Asylum Tapes <o:p></o:p></span></div>
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<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Matthew
Dear – Beams<o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Neneh
Cherry – Blank Project <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Nick
Cave & The Bad Seeds – Ghosteen / Push the Sky Away / Skeleton Tree<o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Paul
McCartney – New / Egypt Station<o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">PJ
Harvey – Let England Shake <o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Queens
of the Stone Age – ...Like Clockwork<o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Robyn
– <span style="mso-bidi-font-style: italic;">Body Talk</span><o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Run
the Jewels – Run the Jewels / Run the Jewels 2 / Run the Jewels 3<o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Sleaford
Mods – English Tapas <o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Slowdive
– Slowdive<o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Solange
– A Seat at the Table<o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Songhoy Blues </span><span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">–</span><span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Music in Exile </span><span style="color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">/ Résistance </span><span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;"><o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">St.
Vincent – Masseduction <o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Vampire
Weekend – Modern Vampires of the City <o:p></o:p></span></div>
<div class="MsoListParagraphCxSpLast">
<span style="background: white; color: #444444; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 107%;">Xylouris
White – Mother<o:p></o:p></span></div>
<br /></div>
Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-31867513955379235382018-12-28T23:19:00.000-08:002018-12-28T23:19:20.710-08:002018 nasıl geçti?<div dir="ltr" style="text-align: left;" trbidi="on">
Şunlar iyi albümlerdi... Eksiklerimi de tamamlamaya çalışıyorum, başka yıl sonu listelerine bakarak... Ekleyeceğim bir iki şey olabilir.<br />
<br />
<br />
7 - Beach House<br />
<br />
A Productive Cough - Titus Andronicus<br />
<br />
A Wonderful Beast - Calvin Johnson<br />
<br />
Blueprint - Alice Bag<br />
<br />
Broken Politics - Neneh Cherry<br />
<br />
Cocoa Sugar - Young Fathers<br />
<br />
Confident Music for Confident People - Confidence Man<br />
<br />
Daytona - Pusha T<br />
<br />
Depth of Field - Sarah Blasko<br />
<br />
Dirty Computer - Janelle Monae<br />
<br />
Dose Your Dreams - Fucked Up<br />
<br />
Double Negative - Low<br />
<br />
Egypt Station - Paul McCartney<br />
<br />
Ephorize - Cupcakke<br />
<br />
Everything Is Recorded By Richard Russell - Everything Is Recorded<br />
<br />
Francis Trouble - Albert Hammond Jr.<br />
<br />
Heaven and Earth - Kamasi Washington<br />
<br />
I'm All Ears - Let's Eat Grandma<br />
<br />
Joy As An Act Of Resistance - Idles<br />
<br />
Kids See Ghosts - Kids See Ghosts<br />
<br />
Landfall - Laurie Anderson And Kronos Quartet<br />
<br />
Marvin Pontiac: The Asylum Tapes - Marvin Pontiac<br />
<br />
Merrie Land - The Good, The Bad & The Queen<br />
<br />
Music Is - Bill Frisell<br />
<br />
Mother - Xylouris White<br />
<br />
Move Through The Dawn - The Coral<br />
<br />
Nasir - Nas<br />
<br />
POST- - Jeff Rosenstock<br />
<br />
Resistance Is Futile - Manic Street Preachers<br />
<br />
Some Rap Songs - Earl Sweatshirt<br />
<br />
Songs Of Praise - Shame<br />
<br />
Songs Of Resistance 1942 2018 - Marc Ribot<br />
<br />
Tranquility Base Hotel And Casino - Arctic Monkeys<br />
<br />
Transangelic Exodus - Ezra Furman<br />
<br />
The Crossing - Alejandro Escovedo<br />
<br />
The Now Now - Gorillaz<br />
<br />
Virtue - The Voidz<br />
<br />
Wrong Creatures - Black Rebel Motorcycle Club<br />
<br />
Ye - Kanye West<br />
<br />
YRU Still Here? - Marc Ribot's Ceramic Dog</div>
Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-19642051278712618602018-11-02T03:25:00.001-07:002018-11-02T03:25:48.667-07:002016 da eksik kalmasın bari...<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
A Tribe Called Quest - We Got It From Here… Thank You 4 Your Service<br />
<br />
Beyonce – Lemonade<br />
<br />
Danny Brown – Atrocity Exhibition<br />
<br />
David Bowie - Blackstar<br />
<br />
Kendrick Lamar - untitled unmastered<br />
<br />
Frank Ocean – Blonde<br />
<br />
Lady Gaga – Joanne<br />
<br />
Iggy Pop – Post Pop Depression<br />
<br />
Nick Cave & The Bad Seeds - Skeleton Tree<br />
<br />
Solange - A Seat at the Table<br />
<div>
<br /></div>
</div>
Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-42430619354215663092017-12-28T04:53:00.002-08:002018-02-11T01:22:48.391-08:002017 ise şöyle geçti...<div dir="ltr" style="text-align: left;" trbidi="on">
American Dream - LCD Soundsystem<br />
Bedouine - Bedouine<br />
Damn - Kendrick Lamar<br />
Curtis Harding - Face Your Fear<br />
Dirty Projectors - Dirty Projectors<br />
English Tapas - Sleaford Mods<br />
Painted Ruins - Grizzly Bear<br />
Halo - Juana Molina<br />
Holiday Destination - Nadine Shah<br />
I Tell A Fly - Benjamin Clementine<br />
Masseduction - St. Vincent<br />
Résistance - Songhoy Blues<br />
Rest - Charlotte Gainsbourg<br />
Sincerely, Future Pollution - Timber Timbre<br />
Sleep Well Beast - The National<br />
Slowdive - Slowdive<br />
The Navigator - Hurray For The Riff Raff<br />
The Ozz - King Krule<br />
Villains - Queens of the Stone Age<br />
Yesterday's Gone - Loyle Carner</div>
Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-32735155588952978012016-06-02T07:21:00.000-07:002016-06-02T07:21:05.024-07:002015 de böyle geçti...<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="color: #222222; font-family: arial, sans-serif; font-size: 12.8px;">
1. Benjamin Clementine - At Least For Now</div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: 12.8px;">
<span style="font-size: 12.8px;">2. </span><span style="font-size: 12.8px;">The Libertines - Anthems for Doomed Youth</span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: 12.8px;">
3. <span style="font-size: 12.8px;">Action Bronson - </span><span style="font-size: 12.8px;">Mr. Wonderful </span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: 12.8px;">
<span style="font-size: 12.8px;">4. </span><span style="font-size: 12.8px;">Colleen - Captain of None</span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
<span style="font-size: 12.8px;">5. Jamie xx - In Colour</span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
<span style="font-size: 12.8px;">6. </span><span style="font-size: 12.8px;">FFS - FFS </span></div>
<div style="color: #222222; font-family: arial, sans-serif; font-size: small;">
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">7. Kendrick Lamar - To Pimp a Butterfly</span></div>
<div style="font-size: 12.8px;">
<div style="font-size: 12.8px;">
8. <span style="font-size: 12.8px;">Du Blonde - Welcome Back to Milk</span></div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">9. Keith Richards - Crosseyed Heart</span></div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">10. Blur - The Magic Whip</span></div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;"><br /></span></div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">11. </span><span style="font-size: 12.8px;">The Prodigy - The Day Is My Enemy </span></div>
<div style="font-size: 12.8px;">
12. Paul Weller - Saturns Pattern</div>
</div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">13. Carl Barât and The Jackals - Let It Reign </span></div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">14. </span><span style="font-size: 12.8px;">The Weeknd - Beauty Behind the Madness</span></div>
<div style="font-size: 12.8px;">
15. Jeff Lynne's ELO - Alone in the Universe</div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">16. Songhoy Blues - Music in Exile</span></div>
<div style="font-size: 12.8px;">
17. Kurt Vile - b'lieve I'm goin down...</div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">18. Ghostpoet - Shedding Skin</span></div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">19. Public Enemy - Man Plans God Laughs</span></div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">20. Eagles Of Death Metal – Zipper Down</span></div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;"><br /></span></div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">21. </span><span style="font-size: 12.8px;">Los Lobos – Gates Of Gold</span></div>
<div style="font-size: 12.8px;">
<span style="font-size: 12.8px;">22. </span><span style="font-size: 12.8px;">Alabama Shakes - Sound & Color </span></div>
<div style="font-size: 12.8px;">
23. <span style="font-size: 12.8px;">Young Fathers - White Men Are Black Men Too </span></div>
<div style="font-size: 12.8px;">
24. <span style="font-size: 12.8px;">Beirut - No No No</span></div>
<div style="font-size: 12.8px;">
25. <span style="font-size: 12.8px;">Public Image Ltd - What the World Needs Now...</span></div>
</div>
</div>
Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-80448551047750207232015-10-15T07:13:00.000-07:002017-12-28T05:15:12.061-08:0025 Kitap Listesi<div dir="ltr" style="text-align: left;" trbidi="on">
Bu da Beni Ben Yapan 25 Kitap Listesi adı iddiali geldi, değiştirdim. Öyle değil çünkü. En azından Don Quijote için mesela bunu söyleyemeyiz.<br />
<br />
Don Quijote - Miguel de Cervantes (1605-1615)<br />
Dönüşüm - Franz Kafka (1915)<br />
Ben, Cladius - Robert Graves (1934)<br />
Günlerin Köpüğü - Boris Vian (1946)<br />
Çıplak ve Ölü - Norman Mailer (1948)<br />
1984 - George Orwell (1949)<br />
Lolita - Vladimir Nabokov (1955)<br />
Sarmal (Toplu Öyküler) - Orhan Duru (1959-1991)<br />
Saatleri Ayarlama Enstitüsü - Ahmet Hamdi Tanpınar (1961)<br />
Koleksiyoncu - John Fowles (1963)<br />
Julian - Gore Vidal (1964)<br />
Kürtaj - Richard Brautigan (1966)<br />
Soğukkanlılıkla - Truman Capote (1966)<br />
Van & Kısa Lodos Hikâyeleri - Fikret Ürgüp (1966&1968)<br />
Şaka - Milan Kundera (1967)<br />
Şampiyonların Kahvaltısı - Kurt Vonnegut (1973)<br />
Tehlikeli Oyunlar - Oğuz Atay (1973)<br />
Çarpışma - J. G. Ballard (1973)<br />
Anayurt Oteli - Yusuf Atılgan (1973)<br />
Caz Dönemi - E.L. Doctorow (1975)<br />
Onca Yoksulluk Varken - Émile Ajar (1975)<br />
Bilge Karasu - Göçmüş Kediler Bahçesi (1980)<br />
Sivrisinek Sahili - Paul Theroux (1981)<br />
New York Üçlemesi - Paul Auster (1987)<br />
Allah Mecbur Değil ki - Ahmadu Kuruma (2000)<br />
<div>
<br /></div>
</div>
Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-51329224898994534102015-10-15T03:01:00.021-07:002023-10-16T01:44:56.294-07:0031 Aralık 2015 Gelmeden En Sevdiğim Filmler<div dir="ltr" style="text-align: left;" trbidi="on">
Bu listeyi 31 Aralık 2015 günü Facebook sayfamdan yayınlayacağım. Ama blog'umu izleyenler (!) daima öncelikli olduğu için, size 2.5 ay öncesinden ilan ediyorum...<br />
<br />
İzlerken çok sevdiğim, sonrasında da sevmeye devam ettiğim, beni bir yerden alıp, bir yere koyan, hala nasıl seyrettiğimi hatırladığım, anıları olan, en favori filmlerimin bir listesi:<br />
<br />
Das Cabinet des Dr. Caligari - Robert Wiene (1920)<br />
Metropolis - Fritz Lang (1927)<br />
Un chien andalou - Luis Buñuel (1929)<br />
Zéro de conduite - Jean Vigo (1933)<br />
L'Atalante - Jean Vigo (1934)<br />
Double Indemnity - Billy Wilder (1944)<br />
Sunset Blvd. - Billy Wilder (1950)<br />
Night and the City - Jules Dassin (1950)<br />
In a Lonely Place - Nicholas Ray (1950)<br />
Ace in the Hole - Billy Wilder (1951)<br />
Weekend - Jean-Luc Godard (1967)<br />
Cool Hand Luke - Stuart Rosenberg (1967)<br />
Belle de jour - Luis Buñuel (1967)<br />
The Graduate - Mike Nichols (1967)<br />
2001: A Space Odyssey - Stanley Kubrick (1968)<br />
Rosemary's Baby - Roman Polanski (1968)<br />
Kes - Ken Loach (1969)<br />
Walkabout - Nicolas Roeg (1971)<br />
Wake in Fright - Ted Kotcheff (1971)<br />
The Last Picture Show - Peter Bogdanovich (1971)<br />
A Clockwork Orange - Stanley Kubrick (1971)<br />
Le charme discret de la bourgeoisie - Luis Buñuel (1972)<br />
Pink Flamingos - John Waters (1972)<br />
Paper Moon - Peter Bogdanovich (1973)<br />
Gelin - Lütfi Ömer Akad (1973)<br />
The Last Detail - Hal Ashby (1973)<br />
The Exorcist - William Friedkin (1973)<br />
The Wicker Man - Robin Hardy (1973)<br />
One Flew Over the Cuckoo's Nest - Miloš Forman (1975)<br />
Brutti, sporchi e cattivi - Ettore Scola (1976)<br />
The Man Who Fell to Earth - Nicolas Roeg (1976)<br />
Una giornata particolare - Ettore Scola (1977)<br />
Cet obscur objet du désir - Luis Buñuel (1977)<br />
Sürü - Zeki Ökten (1978)<br />
Being There - Hal Ashby (1979)<br />
Bad Timing - Nicolas Roeg (1980)<br />
Gloria - John Cassavetes (1980)<br />
Fanny och Alexander - Ingmar Bergman (1982)<br />
Gelin - Lütfi Ömer Akad (1983)<br />
Sid and Nancy - Alex Cox (1986)<br />
Asılacak Kadın - Başar Sabuncu (1986)<br />
River's Edge - Tim Hunter (1986)<br />
Urga - Nikita Mikhalkov (1991)<br />
Totally Fucked Up - Greeg Araki (1993)<br />
I Love a Man in Uniform - David Wellington (1993)<br />
Mike Leigh - Naked (1993)<br />
Utomlyonnye solntsem (Güneş Yanığı) - Nikita Mikhalkov (1994)<br />
Doom Generation - Greeg Araki (1995)<br />
La Cérémonie - Claude Chabrol (1995)<br />
La Haine - Mathieu Kassovitz (1995)<br />
Sling Blade - Billy Bob Thornton (1996)<br />
Trainspotting - Danny Boyle (1996)<br />
Henry Fool - Hal Hartley (1997)<br />
Sunday - Jonathan Nossiter (1997)<br />
Boogie Nights - Paul Thomas Anderson (1997)<br />
I Want You - Michael Winterbottom (1998)<br />
Magnolia - Paul Thomas Anderson (1999)<br />
Lola und Bilidikid - Kutluğ Ataman (1999)<br />
Fight Club - David Fincher (1999)<br />
Audition - Takashi Miike (1999)<br />
The War Zone - Tim Roth (1999)<br />
Memento - Christopher Nolan (2000)<br />
The Others - Alejandro Amenábar (2001)<br />
Sweet Sixteen - Ken Loach (2002)<br />
Japón - Carlos Reygadas (2002)<br />
Sarinui chueok (Cinayet Günlüğü) - Bong Joon-ho (2003)<br />
Talaye Sorkh (Kanlı Altın) - Jafar Panahi (2003)<br />
Karpuz Kabuğundan Gemiler Yapmak - Ahmet Uluçay (2004)<br />
The Wind That Shakes the Barley - Ken Loach (2006)<br />
Vavien - Durul Taylan, Yagmur Taylan (2009)<br />
Çoğunluk - Seren Yüce (2010)<br />
Take Shelter - Jeff Nichols (2011)<br />
<br />
Büyük ihtimalle liste o güne kadar değişecek. Belki o zaman son hali de yayınlarım. Ama bu durumu da bence hiç fena değil sanki.</div>
Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-71030938931904208812014-05-02T07:36:00.002-07:002023-01-30T00:06:08.633-08:00Okan Bayülgen'in 1 Mayıs ile ilgili Twitter'dan çok saçmalaması üzerine bir defa daha...<div dir="ltr" style="text-align: left;" trbidi="on">
<h1 style="background-color: white; color: #444444; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; margin: 0px; position: relative;">
<span style="font-size: x-small;">6. Genç Pop Yıldızı Okan Bayülgen’den İntikamını Alacak</span></h1>
<div class="MsoNormal" style="background-color: white; color: #444444; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18.2px;">
<br /></div>
<div class="MsoNormal" style="background-color: white; color: #444444; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18.2px;">
Yepyeni bir pop yıldızıydım<o:p></o:p></div>
<div class="MsoNormal" style="background-color: white; color: #444444; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18.2px;">
Tarkan’nın tahtına adaydım<o:p></o:p></div>
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Çağırmıştın beni programına<o:p></o:p></div>
<div class="MsoNormal" style="background-color: white; color: #444444; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18.2px;">
Vurmuştun yerden yere sonra<o:p></o:p></div>
<div class="MsoNormal" style="background-color: white; color: #444444; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18.2px;">
<br /></div>
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Hatırladın mı?<o:p></o:p></div>
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<br /></div>
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Sen okumuş bir adam, ödüllü bir oyuncu<o:p></o:p></div>
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Bense orta sondan terk etmiştim okulu<o:p></o:p></div>
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İkinci televizyon programımdı<o:p></o:p></div>
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Anlatmak istediklerim vardı<o:p></o:p></div>
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Stüdyodaki üniversiteliler ah,<o:p></o:p></div>
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Nasıl da kahkahadan kırılmıştı<o:p></o:p></div>
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Bilemedim<o:p></o:p></div>
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Cumhuriyetin kurulduğu tarihi<o:p></o:p></div>
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Ve meclis başkanının adını<o:p></o:p></div>
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Yanlış söyledim AB ve İETT’nin açılımını<o:p></o:p></div>
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En kötüsü de...<o:p></o:p></div>
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Kahretsin<o:p></o:p></div>
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Notaların sayısını!<o:p></o:p></div>
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Davul eğlenceli bir ritm çaldı<o:p></o:p></div>
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Herkes seni alkışlarken<o:p></o:p></div>
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Yönetmen araya reklâmları aldı<o:p></o:p></div>
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Belki senin için sadece bir oyundu<o:p></o:p></div>
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Ardından cipine atlayıp<o:p></o:p></div>
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Soluğu Layla’da aldığın<o:p></o:p></div>
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Bense utancımdan yerin dibine geçmiş<o:p></o:p></div>
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Sabaha kadar ağlamıştım<o:p></o:p></div>
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Hayrandım sana Bayülgen<o:p></o:p></div>
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Zeki, kararlı bir adamdın<o:p></o:p></div>
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Alaylarla baş başa kalınca anladım<o:p></o:p></div>
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Meğer ne kadar da acımasızdın<o:p></o:p></div>
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Etiler’den, Ortaköy’e, oradan Beyoğlu’na düştüm<o:p></o:p></div>
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Gene de yılmadım<o:p></o:p></div>
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Tam üç sene geçti<o:p></o:p></div>
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Her gün bir Hürriyet, bir Sabah aldım<o:p></o:p></div>
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Tuna Kiremitçi’nin tüm yazdıklarını okudum<o:p></o:p></div>
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Ahmet Altan, Ayşe Arman, Perihan Mağden<o:p></o:p></div>
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Tüm bakanlar kurulunun adını sayarım ezberimden<o:p></o:p></div>
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Şimdi yeni bir hit’im var<o:p></o:p></div>
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İsmi “Seveceğim Seni Sonsuza Kadar”<o:p></o:p></div>
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Ve inan bana intikamımı alacağım<o:p></o:p></div>
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Okan Bayülgen </div>
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Hazırım Zaga’ya<o:p></o:p></div>
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Televizyon Makinesi'ne<o:p></o:p></div>
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Veya her ne halt ise<o:p></o:p></div>
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Altı kere yedi kırk iki<o:p></o:p></div>
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Ekmek üç yüz bin lira<o:p></o:p></div>
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Cumhurbaşkanımız Necdet Sezer<o:p></o:p></div>
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Son okuduğum kitap “Şu Çılgın Türkler”<o:p></o:p></div>
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Dünyada 7 kıta, alfabede 29 harf var<o:p></o:p></div>
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Dünya yuvarlak ve güneşin etrafında döner!<o:p></o:p></div>
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(koro)<o:p></o:p></div>
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Ve<o:p></o:p></div>
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Genç Pop Yıldızı Okan Bayülgen’den İntikamını Alacak<o:p></o:p></div>
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Genç Pop Yıldızı Okan Bayülgen’den İntikamını Alacak<o:p></o:p></div>
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Genç Pop Yıldızı Okan Bayülgen’den İntikamını Alacak</div>
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-23125264255907968682014-04-23T22:22:00.001-07:002014-04-23T23:40:31.594-07:00Haftanın Albümü: "The Cautionary Tales of Mark Oliver Everett"<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td class="tr-caption" style="text-align: center;">Eels - "The Cautionary Tales of Mark Oliver Everett" (2014)</td></tr>
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Şahane şarkı yazarı E'den, bir kez daha, kendi hikayesi, ama bu sefer adıyla sanıyla.<br />
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Aşağıda grantland.com'dan aldığım söyleşi.</div>
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<i style="box-sizing: border-box;">The Cautionary Tales of Mark Oliver Everett</i>, the 11th Eels record since 1996’s <i style="box-sizing: border-box;">Beautiful Freak</i>, is one of the most searingly personal documents the man called E has cooked up yet. It’s the first time his real name and unobscured face have appeared on the cover, and it’s a spiritual successor to his 2008 autobiography, <i style="box-sizing: border-box;">Things the Grandchildren Should Know</i>. The 13 songs are colored with just about every shade of personal reflection, from quiet celebration to bone-deep remorse, and underpinned with subtly adventurous orchestration. On the occasion of his fifth studio release in five years, E discusses learning to reconcile life and music, the legacy of <em style="box-sizing: border-box;">Electro-Shock Blues</em>, and why he’d love to work with Kanye West.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">I recently found </b><a href="https://www.youtube.com/watch?v=wi31mP0nVgE" style="box-sizing: border-box; color: #cd251f; text-decoration: none;" target="_blank"><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">this video</b></a><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"> where you’re in your thirties and talking about how you’re a really awkward guy, both in life and onstage. You turned 50 last year — has anything changed?</b></div>
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I noticed specifically in the tour we did last year that I did not feel that anymore. I felt like such a rock star some nights that it was scaring me. I was probably able to <i style="box-sizing: border-box;">convey</i> it earlier, but I never really felt it until recently. I’m still totally awkward in life.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">It seems you’re most comfortable obscuring yourself, whether with a</b><a href="http://mixonline.com/livesound/tours/EELS_lead-singer.jpg" style="box-sizing: border-box; color: #cd251f; text-decoration: none;" target="_blank"><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">flight suit</b></a><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"> or a </b><a href="http://www1.pictures.zimbio.com/gi/Mark+Oliver+Everett+Venice+Family+Clinic+Silver+c3_AA76fg6Pl.jpg" style="box-sizing: border-box; color: #cd251f; text-decoration: none;" target="_blank"><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">giant beard</b></a><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"> or character-driven songs. But</b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Cautionary Tales</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"> has your name and your face right there.</b></div>
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That’s why this one’s so terrifying for me. There’s no “<a href="https://www.youtube.com/watch?v=VtwL96wd8f8" style="box-sizing: border-box; color: #cd251f; text-decoration: none;" target="_blank">Dog Faced Boy</a>” character, and I really just feel like I’m standing naked in front of the world. I don’t like it, I don’t like this feeling at all, but I do believe it’s a worthwhile endeavor. It just feels about a hundred times more vulnerable than usual.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">I bet there are people who’ve listened to you all this time who don’t know your real name’s Mark Everett.</b></div>
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Yeah, that’s OK. I don’t care. It’s fine with me if they think it’s a fictional character.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">So what made you go to this place, if it’s so rough?</b></div>
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That’s a good question. [<em style="box-sizing: border-box;">Laughs.</em>]<i style="box-sizing: border-box;"> </i>I’d been through this experience and I thought a musical version of it could really offer something and maybe even be something to learn from. At 10 years old my favorite record was<i style="box-sizing: border-box;">Plastic Ono Band</i> by John Lennon, which I now know is a very odd record for a 10-year-old to embrace. But there was something about the way he could cut to the heart of the matter in such an honest way that really resonated with me and I think it just stuck with me forever.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">A 10-year-old E screaming along to “</b><a href="https://www.youtube.com/watch?v=Csi1PZRyU7E" style="box-sizing: border-box; color: #cd251f; text-decoration: none;" target="_blank"><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">Mother</b></a><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">” makes sense — I’ve read you say how you felt like you were raised by wolves.</b></div>
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That’s part of what led to this record — I really didn’t have a clue. I wasn’t given any direction as a child and I was just such a lost cause and a lost soul, and then music saved me. It was such a miracle that I got to make one record, let alone all these records 22 years later. But because music saved me, that’s what my whole … that’s what all those years were about, survival. And now I’m at the point where I had to realize there’s a price you pay for that. It creates a really unbalanced life. Life catches up with all of us if things aren’t balanced, and it caught up with me and I went through this experience that was … since the time music came along and saved me, this was the next biggest thing to change me as a person. I thought I should combine the two now and make some music about the experience.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">I have to mention how much regret there is in these songs. There’s a lot of beauty, but you can’t escape how mournful they are, too.</b></div>
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Well, thank you. Any true lesson that any of us learns in life comes at the expense of experiencing great pain. And this is one of those. But if you’re smart, you use it and you look at it and you figure it out and try to figure out how to make some changes so things are better in the future.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">Control is something I wanted to ask you about. On “Gentlemen’s Choice,” which is one of the heavier songs here, you say, “Too many years getting my way / Never let anyone have their say / How could I think it would work out? / Never a question, never a doubt.”</b></div>
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That’s all part of the price I’ve paid for having music save me. I’ve never had a day <i style="box-sizing: border-box;">that</i> bad, but it’s an extreme version of how I feel on some days. I was thinking it’s like the Ghost of Christmas Future comes to visit me and is like, “Hey man, if you keep going like this, this is how you’re gonna end up.”</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">That’s so scary.</b></div>
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Yeah, but it’s a great wake-up call. And then I get to the point, after examining it from every angle I can imagine, I get to the song “Mistakes of My Youth,” where it’s like a lightbulb goes off — “Man, I just keep doing the same stupid shit over and over again. This is all about <i style="box-sizing: border-box;">me.</i> I gotta fuckin’ get my act together and make some changes.”</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">What’s your relationship with your label at this point?</b></div>
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We make the whole record on our own, I pay for it all myself, and then we give it to somebody to put out. It’s nice in that respect, it’s really as indie as it gets.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">And yet Eels and the term “indie” don’t ever go together in my head for some reason. </b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">You’re clearly independent, but not “indie.”</b></div>
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I’ve never felt like part of any scene. We all probably think of indie some big way and it’s a bunch of guys with beards and flannel shirts and they stare at their shoes while they play songs. I don’t know what indie really means, but if anyone is indie, it must be me, because I have been very independent for a long time.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">A lot of Eels songs are just you, solo, but you’ve been touring and writing with this lineup the last few years. What’s it like making an album like </b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Cautionary Tales</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"> collaboratively, sitting in a room with these guys and pouring your heart out?</b></div>
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It is the worst. Making a record like <i style="box-sizing: border-box;">Wonderful, Glorious</i> is the funnest possibility. We didn’t write anything ahead of time, we just said, “Let’s meet on this day and see what happens.” And this record is kind of the opposite approach, and it’s really not fun for me at all. It’s really uncomfortable the first time you have to sing one of these songs in front of the guys in the band. You’re just imagining they’re on the other side of the glass chuckling. [<em style="box-sizing: border-box;">Laughs.</em>]</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">Are you guys enough of a band now that you’re actual friends, that you’ve gone through some things together?</b></div>
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Oh, yeah. When you tour the world with the same group of people maybe, I don’t know, four times now, you become very close. We were already friends before all that, and it’s become the best part of my life, touring. In the early days it was kind of the worst part of my life, but it’s all about the combination of people and the feeling of a family rolling on wheels.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">Do you have other artist friends you bounce ideas off? From the outside it seems like everything Eels-oriented happens in your head and in your basement.</b></div>
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It is in a bubble, pretty much. Other than occasionally Jon Brion maybe, it’s hard for me to think of any other people. I’m too kinda shy to like sit there and play whatever I’m working on for people to listen to.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">It’s crazy to think Jon Brion had a hand in both your early stuff and Kanye West’s second album.</b></div>
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I love Kanye West. I really love his new record, especially. I would love to work with him, too. I think he’s kind of as good as it gets in terms of modern artists. And he’s clearly nuts, but that just makes me like him more. He’s one of those guys that has no filter, and that’s what I’m trying to do on this new Eels record, I’m just trying to get rid of the filter. I find it refreshing when a guy like Kanye comes along and is willing to say all these ridiculous, outrageous things, and he’s just telling the truth as he sees it.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">How haven’t you produced for anyone yet?</b></div>
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I don’t know if I have the right people skills for it. I feel like I would have a hard time, because if you’re producing an artist, they get the last say. And if I feel like they’re really making a bad choice, that’s gonna be hard for me to sit through. But that said I would like to experiment with it at some point.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">Have you been able to gauge the impact of your </b><a href="http://www.amazon.com/Things-Grandchildren-Should-Oliver-Everett/dp/0312429177" style="box-sizing: border-box; color: #cd251f; text-decoration: none;" target="_blank"><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">autobiography</b></a><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">?</b></div>
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It was such a good feeling, because I didn’t have a book deal, nobody asked me to do it, I just tried it out as an experiment. And then to have it come out … I’ve probably had people stop me on the street and say something about the book more than about the music, at this point, which is a nice feeling.</div>
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Talk about feeling vulnerable — that felt really vulnerable, to put out such a naked account of my life, just chock-full of embarrassing details. As a survival mechanism, I think, once I finished it I just never thought about what was in it again. So when people come up to me and say they liked the book I just don’t think about anything specific in the book that they now know about me. I would say if anyone was interested in what happened since then — ’cause that was probably nine, 10 years ago that I wrote it — this new album is kind of a sequel. It’s as close as I have to an update to what’s happened since then.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">It’s been almost 16 years since you put out </b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Electro-Shock Blues</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">. I’m not gonna do the thing where I insist that the early stuff is the pinnacle, but it does feel like that album’s got kind of an unbeatable legacy. It’s such a ready-made album to hand to anyone grieving for a loved one, and it’s so musically all over the place.</b></div>
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It’s nice to hear that, ’cause I just remember what it was like when I made it. And when I played it to anyone that I was involved with in the music business, they all thought I was crazy and shouldn’t put it out. It was one of the loneliest times in my life, compounded by what I was going through with my family. [<i style="box-sizing: border-box;">Editor's note: E's older sister committed suicide and his mother died of cancer, both shortly after the success of the first Eels album.</i>] And then feeling really confident about that album and being told it shouldn’t come out. So it’s nice that I was brave enough to put it out and that people like it.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">It must have been crushing to have the label not get what you’d made.</b></div>
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That was definitely a defining moment for me. I think had I not done that, had I done what I was being advised to do, I don’t think we’d be talking right now. I don’t think I’d still be around. If I put out <i style="box-sizing: border-box;">Beautiful Freak Part 2</i> like everybody wanted me to, I think that would’ve been about the end of it, probably.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">Do you maybe feel like you don’t get what the big deal about </b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Electro-Shock Blues</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"> is, since you’ve made so many albums that were obviously meaningful to you since then?</b></div>
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In my mind, that one is an important one. And <i style="box-sizing: border-box;">Blinking Lights</i>, for me, is maybe a tie with that one. And I think <i style="box-sizing: border-box;">Cautionary Tales</i> is right up there with those. I wouldn’t put any of them out if I didn’t think they were good, but I understand why some people would gravitate toward those. And then there’s people that feel the opposite way — they’re all about <i style="box-sizing: border-box;">Souljacker </i>or <i style="box-sizing: border-box;">Shootenanny!</i> and they don’t like the softer stuff and the introspective stuff.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">Do you picture a life after music? Or are you just doing this till the wheels fall off?</b></div>
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[<em style="box-sizing: border-box;">Laughs.</em>] Well, that’s an interesting way to put it. I very well might retire at some point, I don’t know. I have no idea. Music, as I said, really saved me, and I would be nowhere without it. But now I’m dealing with the other side of the coin and trying to figure out how to create some balance in my life, so who knows. There’s no plans for the future right now — we’re just gonna get this record out and play some concerts. After that, it’s a blank slate. Historically, it has been difficult for me to not do it. But I also might be at a point in my life where it’s the right thing to do, to not do it.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">Are you scheming about how to get away from all the nakedness of this one yet?</b></div>
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I haven’t thought beyond this yet, but I’m sure after this experience I’ll want to do some hiding, be it actual hiding or hiding in some character.</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">“Fresh Feeling” (</b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Souljacker</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">, 2001): </b>“I remember at the time the record company was like, ‘Well, it sounds like a douche commercial.’ They didn’t even make it a single. And it might be our most popular song now, all these years later.”</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">“Prizefighter” (</b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Hombre Lobo</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">, 2009): </b>“Love playing that one live, always satisfying. The howling stuff in the middle of it? You can’t have more fun than that.”</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">“It’s a Motherfucker” (</b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Daisies of the Galaxy</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">, 2000): </b>“That’s still one of my favorites, I think. It’s incredibly brief, which is the kind of writing that I admire most in people — very succinct writing, getting in and getting out, making a point and trimming all the fat.”</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">“Ant Farm” (</b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Electro-Shock Blues</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">, 1998): </b>“I wrote it in a hotel room in a castle in France. It was around the time I knew my mom was sick and wanted to write a song about my appreciation of her.”</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">“Looking Up” (</b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Tomorrow Morning</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">, 2010): </b>“Most fun I ever had in a recording studio, and really fun to play live. That’s always been one of the most exciting kinds of music to me, since I was a teenager, is old-time gospel, that boom-<i style="box-sizing: border-box;">cha</i>-boom-<i style="box-sizing: border-box;">cha</i> beat.”</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">“Peach Blossom” (</b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Wonderful, Glorious</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">, 2013): </b>“That was probably a reaction to … I didn’t realize this at the time, but six months before that, we’d done our first attempt at the <i style="box-sizing: border-box;">Cautionary Tales</i> album. And so a lot of the stuff on <i style="box-sizing: border-box;">Wonderful, Glorious</i> is a reaction to that, like ‘Peach Blossom.’ It made me laugh, too. That’s what’s fun about it.”</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">“Love of the Loveless” (</b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Shootenanny!</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">, 2003): </b>“I think it’s underrated, possibly. I dunno if it is. In my mind it should be … <i style="box-sizing: border-box;">over</i>rated [<i style="box-sizing: border-box;">laughs</i>]<i style="box-sizing: border-box;">.</i> It just always resonates with me.”</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">“Apple Trees” (</b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">End Times</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">, 2010): </b>“That’s an odd one. At one point I was writing some short stories just for the hell of it. I had that little instrumental vignette and I decided to add me reading that.”</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">“On My Feet” (</b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">End Times</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">, 2010): </b>“I often try to get to some positive point by the end of an album, and in that case, that’s one of the bleaker attempts at a positive point. It’s saying that I’m not really in a great place but <i style="box-sizing: border-box;">maybe</i> I’ll get to one. Originally I was gonna end that album with a cover of Howlin’ Wolf’s ‘Goin’ Down Slow,’ which is just an incredibly bleak song.”</div>
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<b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">“Grace Kelly Blues” (</b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;"><i style="box-sizing: border-box;">Daisies of the Galaxy</i></b><b style="box-sizing: border-box; font-family: 'Harriet Text Bold', 'Harriet Text', Georgia, Times, 'Times New Roman', serif;">, 2000): </b>“It’s kinda dumb I called it that, because only the first verse is about Grace Kelly. It really doesn’t make any sense as a song, but for some reason it seems to work.”</div>
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-67687766698818219792014-04-17T06:52:00.001-07:002014-04-17T07:00:49.426-07:00Cannes - Altın Palmiye - 2014<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-size: 13px; line-height: 20px;">Nuri Bilge Ceylan'nın yeni filmi "Kış Uykusu" Cannes'da Altın Palmiye için yarışacakmış. Ama beni ondan ziyade iki favori yönetmenimin filmi</span><span style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-size: 13px; line-height: 20px;"> heyecanlandırdı. Mike Leigh "Mr. Turner", Ken Loach ise "Jimmy's Hall"la iştirak ediyor aynı yarışmaya. </span><br />
<span style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-size: 13px; line-height: 20px;"><br /></span>
<span style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-size: 13px; line-height: 20px;">Diğer filmlerin yönetmenlerine bakın bir de: Dardane Kardeşler ve Cronenberg, Assayas, Egoyan, Godard...</span><br />
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<span style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-size: 13px; line-height: 20px;">Kim kaybederse kaybetsin, kazanan biz olacağız.</span><br />
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<span style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-size: 13px; line-height: 20px;">Tam liste şöyleymiş galiba:</span><br />
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<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Sils Maria – Olivier Assayas</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Maps to the Stars </span></span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small; line-height: 20px;">–</span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small; line-height: 20px;"> David Cronenberg</span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Deux Jours, Une Nuit – Jean Pierre Dardenne & Luc Dardenne</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Kış Uykusu – Nuri Bilge Ceylan</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Mommy </span></span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small; line-height: 20px;">– </span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small; line-height: 20px;">Xavier Dolan</span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Saint Laurent </span></span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small; line-height: 20px;">– </span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Bertrand Bonello</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">The Homesman – Tommy Lee Jones</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">The Search – Michel Hazanavicius</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Captives – Atom Egoyan</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Adieu Language </span></span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small; line-height: 20px;">– </span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Jean-Luc Godard</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Futatsume No Mado </span></span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small; line-height: 20px;">– </span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Naomi Kawase</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Mr. Turner </span></span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small; line-height: 20px;">– </span><span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small; line-height: 20px;">Mike Leigh</span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Foxcatcher – Benett Miller</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Jimmy’s Hall – Ken Loach</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Le Meraviglie – Alice Rohrwatcher</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small;"><span style="line-height: 20px;">Leviathan – Andrey Zvyagintsev</span></span><br />
<span style="color: #333333; font-family: Arial, sans-serif; font-size: x-small; line-height: 20px;">Relatos Salvajes – Damien Szifron</span><br />
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-63982385996818035242014-03-27T02:40:00.001-07:002014-03-27T02:43:03.805-07:00Back to the "Kara Gözlüklü Kedi"<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.karagozluklukedi.blogspot.com/" style="font-size: medium;">www.karagozluklukedi.blogspot.com</a></td></tr>
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-12460664949785484932014-03-26T08:17:00.003-07:002014-04-12T05:56:16.780-07:00Haftanın Albümleri: "Indie Cindy" & "Do To The Beast"<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><img src="http://i.imgur.com/Bu3ul8Y.jpg" style="margin-left: auto; margin-right: auto;" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pixies - "Indie Cindy" (2014)</td></tr>
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Selam gençler,</div>
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Bu hafta iki büyük gruptan, iki merak uyandıran albüm düştü elime. "Indie Cindy"i dün dinledim, fena değil. Ama bir başyapıt da değil -sanki, en azından ilk bakışta. Pixies elemanları çok fazla projede çok iyi albümler de, çok iyi olmayan albümler de yaptılar. Geri dönüşleri sürprizlere açık -bu arada Kim Deal'de yok bu kadroda. Bakalım zamanla notlarını yükseltecekler mi, düşürecekler mi?<br />
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The Afghan Whigs. Yıl 1996. "Black Love" albümü. Galiba Akmar'da Zihni'den almıştım. Bir ara bazı kasetleri çok ucuzlatmıştı, REM'den "New Adventures in Hi-Fi"yi, Screaming Trees'den "Dust"ı satın aldığımı net hatırlıyorum -muhteşemdirler.<br />
Bu ucuz albümlerin arasında "Black Love" da vardı herhalde, en azından seneleri tutuyor. </div>
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O da ne albümdü... </div>
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Neyse geçmişe mazi derler. Daha "Do To The Beast"i dinleyemedim. Ama her daim bu kazıyı yapmaya değer, içinde büyük bir hazine saklı olabilir.<br />
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<tr><td style="text-align: center;"><img src="http://i.imgur.com/g28DQ5l.jpg" style="margin-left: auto; margin-right: auto;" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Afghan Whigs - "Do To The Beast" (2014)<br />
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Bu arada 2 albüme daha burada not düşelim: Kaiser Chiefs- "Education, Education, Education & War" ile Fucked Up - "Year of the Dragon".</div>
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Kaiser Chiefs bana hep ortalama bir grup gibi gelir, ama bir sürü hit'leri, hem de iyi hit'leri, olan bir ekip. Hakkını yemeyelim. Fucked Up ise hardcore sahnesinin en güzel ekiplerinden, bu albümde gene deneysel bir işler yapmış olabilirler, sadece 3 parça mı ne var içinde...</div>
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Bu arada, Gregg Araki'nin "Totally Fucked Up"ı da beni zamanında fena etkilemiş bir filmdir.</div>
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-17520996172903940322014-03-07T23:06:00.001-08:002014-03-07T23:06:39.891-08:00The Cult ve Matthew McConaughey<div dir="ltr" style="text-align: left;" trbidi="on">
Oscar'lar geçen hafta verildi... Filmlerin bazılarını seyrettim, bazılarını seyretmedim...<br />
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"Gravity"nin teknik ödüller almasına bir şey söyleyemem, genel olarak, sırtını ilginç bir görselliğe dayamış, kötü bir filmdi... En azından senaryosu için bunu kesinlikle iddia ediyorum...<br />
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Neyse konumuz bu değil... En iyi erkek oyuncu Oscar'ını alan Matthew McConaughey, meğerse bir Cult fan'ıymış. (Bu arada, Cüneyt Cebenoyan şöyle bir şey yazdı, Oscar'lık performans diye bir şey var, zayıflarsın, kilo alırsın, vs... Doğru bir noktaya parmak basmış...)<br />
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Grup, blog'unda şöyle yazmış ve şu resmi koymuş:<br />
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"Congrats to friend of The Cult, Matthew McConaughey on his 2014 Academy Awards, Best Actor, Oscar win. Two years ago he played with The Cult at SXSW"<br />
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<img src="http://i802.photobucket.com/albums/yy303/hellormk/MMCUlt_zpsa3610ba7.jpg" /></div>
Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-24190998377000742412014-02-25T04:44:00.004-08:002014-02-25T07:21:54.537-08:00Haftanın Albümü: "Horizons"<div dir="ltr" style="text-align: left;" trbidi="on">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img src="http://www.lesinrocks.com/wp-content/thumbnails/uploads/2013/11/Detroit-une-tt-width-360-height-342-crop-1.gif" height="190" style="margin-left: auto; margin-right: auto;" width="200" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Détroit - "Horizons" (2013)</td></tr>
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Bertrand Cantat ile Pascal Humbert'in (16 Horsepower ve Woven Hand) ortaklığı müthiş... Belki tek olumsuz eleştiri, o çok güzel Noir Désir albümlerinden sound olarak pek farklı olmaması olabilir "Horizons"ın. Ama tekrar ediyorum: Müthiş.</div>
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-80218267363096012132014-02-14T06:00:00.000-08:002014-02-14T06:10:07.158-08:00Sevgililer Günü: David Bowie Özel<div dir="ltr" style="text-align: left;" trbidi="on">
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<object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="https://ytimg.googleusercontent.com/vi/kB7skYEv_EM/0.jpg" height="266" width="320"><param name="movie" value="https://youtube.googleapis.com/v/kB7skYEv_EM&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="https://youtube.googleapis.com/v/kB7skYEv_EM&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
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Sevgiler gününe özel, bu hafif tertip tehditkar David Bowie şarkısını hediye etmek istiyorum sizlere... Bu arada, Berlin üçlemesinin ilk ayağı "Low" biraz gözden kaçmış, ama muhteşem bir Bowie albümüdür.<br />
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<b>Be My Wife</b></div>
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Sometimes you get so lonely</div>
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Sometimes you get nowhere</div>
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I've lived all over the world</div>
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I've left every place</div>
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Please be mine</div>
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Share my life</div>
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Stay with me</div>
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Be my wife</div>
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Sometimes you get so lonely</div>
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Sometimes you get nowhere</div>
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I've lived all over the world</div>
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I've left every place</div>
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Please be mine</div>
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Share my life</div>
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Stay with me</div>
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Be my wife</div>
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Sometimes you get so lonely</div>
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David Bowie</div>
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-24872340683231280202014-01-28T02:39:00.002-08:002014-01-31T01:06:19.586-08:00Paul Auster Söyleşisi<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: Arial, Helvetica, sans-serif;">Orijinali için <a href="http://www.hurriyet.com.tr/dunya/25653218.asp">tıklayın.</a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Benim notum: "Bence bu söyleşiyi yapan çok da Paul Auster'u bilmiyor..."</span><br />
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<i><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">
New York’taki evinde yazar, şair ve sanarist Paul Auster’le yeni kitabı ‘İç Dünyamdan Notlar’, dünya ve Türkiye üzerine...</span></i></h2>
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<span style="font-family: Arial, Helvetica, sans-serif;">Kapıyı kendisi açıyor. İçeri davet ediyor, tanışma faslı sırasında ben size biraz evi gezdireyim... Uzun bir koridordan doğu halıları ve kilimlere basa basa ilerliyoruz. Sağda oturma odası... Küçük, son derece sade dekore edilmiş. Yine sağda tuvalet olduğunu sandığım başka bir kapı var, kapalı. Koridorun sonu mutfak. Gündüz olmasına rağmen ışıkları yanık. Masanın üstünde başından yeni kalkılmış bir meyve tabağı... Bu kadar çok portakal yemiş olabilir mi? Mutfağın hemen yanında merdiven. Yine doğu motifli bir halıyla kaplı olan bu dar ve ahşap merdiven çalışma odası ve kütüphaneye varıyor. Ama ne kütüphane! Duvardan duvara bütün raflar kitap kaplı... İngilizce, Yunanca, İspanyolca, İbranice, Japonca ve Türkçe... Dünyanın bütün dillerine çevrilmiş Paul Auster kitapları...</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Bu kadar narsisist mi ki vitrinde ‘Auster’ diye kendi adına şarabı var?</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Hayır, tamamen tesadüf. Vitrinde duran Auster marka şarabı, bir tanıdığı Portekiz’de rastgelince alıp getirmiş. Auster Portekizce’de güney rüzgarı anlamına geliyor.</span><br />
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<img align="right" alt="" src="http://www.hurriyet.com.tr/_np/8961/22958961.jpg" height="212" style="border: 0px; clear: both;" width="377" /><span style="font-family: Arial, Helvetica, sans-serif;">Narsisist değil ama nasıl göründüğüne çok önem veriyor. Bu yüzden röportaj sırasında fotoğraf çekilmemesini istiyor: Konuşma sırasında insanın ağzı burnu hep yamuk yumuk çıkıyormuş.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Ve işte bu yüzden, sırf bu yüzden işte; Paul Auster’in ağlarkenki fotoğraflarını göremiyorsunuz... 15 dakika sonra, “Bütün bu çabaya rağmen, biz aslında... Hiçbir şey değiştiremedik” diye konuşurken, gözleri dolacak, bunun sorumluluğunu taşıyormuş da özür diler gibi başını önüne eğecek. Ne benim ne de fotoğrafçı arkadaşım Mustafa’nın gazetecilik refleksi gösterip o anı çekecek cesaretimiz olacak. Karşımızda Zeus gibi bir adam. Arada sert sert Atatürk bakışları fırlatıyor. İstemediği bir şeye ikna etmeyi aklınızdan bile geçirmiyorsunuz, karşısındakini bakışlarıyla mum eder bir havası var. Ama sakin sakin, en majestik kıvamdan, en aristokrat tondan. O gülümsediği zaman kahkaha atmak zorundasınız, o kaşlarını çattığı zaman siz… Siz zaten bittiniz...</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Söyleşiye başlarken bir puro yakıyor. Bir tane de karşısındaki gazeteciye ikram ediyor. Fotoğrafçı arkadaşıma ikram edecek kadar zarif olduğuna hiç şüphe yok. Belli ki aslında yanında içilmesini istemiyor, tek derdi gazetecinin heyecanını bastırmasına yardımcı olmak.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">O puronun dumanıyla birlikte bizi birazdan saracak efkar ve hüzünden bihaber, teybin kayıt tuşuna basıyorum. Çünkü birazdan anlayacağız ki sevgilisine “Benim için şarkı söyle, sesin soluduğun havayı başka bir şeye dönüştürsün” diye hayat dolu mektuplar yazan genç delikanlı değil o artık. Dünyayı değiştirebileceğine, bir şeyler yapabileceğine inanan ateşli sosyalist de... Karşımızdaki savaşın kaybedildiğini, bütün emeklerin heba olduğunu, her şeyin daha kötüye gittiğini düşünen yaşlı bir adam...</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>“Tutuklu gazeteciler nedeniyle Türkiye’ye gelmeyeceğim” dediniz, Başbakan nezdinde cevap buldu...</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Şaşırdım. Hükümet tarafından hoş karşılanmayacak bir açıklama yaptığımı biliyordum. Ama hükümetin benim gibi insanları, özellikle Türkiye’nin günlük meseleleriyle iç içe olmayan yabancı bir yazarı dikkate alacağı konusunda en ufak bir fikrim yoktu. Olsa olsa, bir köşe yazarının “Auster bize saldırıyor, keşke çenesini kapatsa” türü bir şey yazacağını beklerdim. Bir devletin başındaki kişinin buna müdahil olması bana garip geldi. Saldırıya uğrayınca, cevap vermek zorunda kaldım. Ve tabii ki ertesi gün bana tekrar saldırdı. Partisinin üyeleri de bana Meclis’te saldırdılar… Beni Netanyahu’nun, Şimon Perez’in, Sarkozy’nin, Merkel’in ve rejime muhalif bütün Kürt muhalefetinin içinde olduğu, Türkiye’nin altını kazacak bir komplo teorisinin parçası olmakla suçladılar. Böyle bir suçlama karşısında sadece şaşırıp başımı sallayabildim.</span></div>
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<b style="font-family: Arial, Helvetica, sans-serif;">Neden? Sindiniz mi?</b><span style="font-family: Arial, Helvetica, sans-serif;"> </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Konuşmaya devam edebilirdim ama o noktada söyleyecek daha fazla bir şey olmadığını fark ettim. Bu polemiğe daha fazla dahil olmak yararsız göründü. Çünkü Türkiye’nin iç meseleleriyle ilgili bir tartışmanın içine çekilecek bir pozisyonda değilim. Sadece bir yazar ve bir dünya vatandaşı olarak fikirlerini açıkladıklarından dolayı hapse atılan meslektaşlarımı savunmak üzere konuşmuştum. Nerede olduğuna bakmaksızın bununla mücadele etmek gerektiğini düşünüyorum. Ve bu yüzden bir protesto olarak Türkiye’ye gitmeyi reddettim. Ama aynı zamanda çok kez davet edildiğim Çin’e de gitmeyi reddediyorum. Aydınları hapsetmeye devam ettikleri sürece gidemem.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Siz bu açıklamaları yaptınız ve bundan yaklaşık altı ay önce Türkiye tarihinde gördüğü en büyük sokak protestolara sahne oldu. Sizce Gezi Parkı süreci sizi haklı mı çıkardı?</b></span><span style="font-family: Arial, Helvetica, sans-serif;">Benim söylediklerimi kanıtlar mı bilmiyorum. Bütün söyleyebileceğim, ifade özgürlüğünü baskılayan bir hükümetin aynı zamanda insanlarda çok fazla tepkiye de neden olacağı... İnsanlar, Gezi Parkı’na AVM yapma meselesinde meşru olarak İstanbul’un o bölgesi için kaygılanıyorlardı ama bu aynı zamanda daha büyük bir şeyin sembolüydü. Birçok protesto hareketinde olduğu gibi, bu protestoyu tetikleyen şey aynı zamanda daha derin bir huzursuzluğun göstergesidir. O yüzden şaşırmadım. Hatta şu anda Türkiye’de yüksek yerlerde yaşanan yolsuzluk skandalına da şaşırmadım. Bekleyip hep beraber ne olacağını göreceğiz.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Benzer olaylar Türkiye’den sonra Brezilya’da da görüldü. Peşinden Ukrayna gibi ülkeler... Dünyaya neler oluyor? Başbakan “Bu olayların kökü dışarıda” derken haklı olabilir mi?</b><img align="right" alt="" src="http://www.hurriyet.com.tr/_np/8965/22958965.jpg" style="border: 0px; clear: both;" /></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Aksine. Çünkü son üç-dört yılda dünyada olanlara bakarsak İspanya’da, Rusya’da, ‘Wall Street’i İşgal Et’ hareketiyle ABD’de, Mısır’da ve diğer <a class="keywords" href="http://www.hurriyet.com.tr/index/ortado%C4%9Fu" style="-webkit-transition: 0.5s; color: #2882b7; display: inline-block; outline: none; padding: 2px 4px; text-decoration: none; transition: 0.5s;" target="_blank" title="Ortadoğu">Ortadoğu</a> ülkelerinde, hatta İsrail’de… Dünyadaki genç insanlar, bununla da 20’li yaşlarındaki eğitimli insanları kastediyorum, daha yaşlı insanlara dünyada bir şeylerin yanlış gittiğini söylüyorlar. Bizim doğrularımız çöktü. Artık nasıl yaşayacağımızı yeniden düşünmeliyiz. Daha iyi bir sistem yaratmalıyız.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Peki neden olmuyor? Bizi alıkoyan ne? Sistemin yerleşik sahipleri mi?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Burada sorun, bu hisleri derinlemesine ifade edebilecek örgütlü bir politik hareket olmaması. Art arda, ülke ülke, insanlar “Hayır, olup bitenden hoşlanmıyoruz” demek için bir araya geliyorlar ama bu protestoları sürdürebilecek bir örgütlülük yok. Ve protestolar bir süre sonra sönüyor ve eski güç odakları yaratılan boşluğu tekrar dolduruyorlar. Mısır buna çok iyi bir örnek. Hareket ilk başta laik, çoğunlukla gençlerden oluyordu ama sonunda ordu ve Müslüman Kardeşler tarafından sürecin dışına itildiler. Türkiye’deki durumun da benzer olduğunu düşünüyorum.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Böyle gelmiş böyle gidecek mi yani?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Bir huzursuzluk var ama plan yok. Sovyetler’in çöküşüne kadar komünizme inanan insanlar vardı. Bu ideolojinin yanlış olması bir yana, insanlara dünyayı değiştirebileceğimiz konusunda umut veriyordu. Ama komünizm ve marksisizm dini çökünce, artık kimse ne yapacağını bilemiyor. Elimizde tek kalan şu veya bu biçimiyle kapitalizm. İnsanlar daha adil bir tür kapitalizm yaratmaya çaılıyorlar. Ama yeni olan da henüz şekillenmediğinden insanlar detaylarda kayboluyorlar. Sanırım dünya yeni bir düşünce biçimi bekliyor. Nasıl bir yaşam süreceğimize dair yeni bir teori. Henüz bunu kimse yazmadı ve hatta düşünmedi bile. Şu anda elimizde olan tek şey sokaklara çıkıp “Hayır, hayır, hayır!” diyen ama mevcut olanın yerine ne konulacağına dair fikri, olmayan insanlar.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Neye evet dediklerini bilmiyorlar… Siz gençken 60’lı yıllarda katıldığınız Columbia Üniversitesi protestolarına benzetiyor musunuz bugünküleri?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Kıdemli bir protestocu olarak, bunun her yerde olduğunu görmekten mutluyum. Ama Amerika’dakilerin çoğu Vietnam’la, o savaşın akıldışılığı ve yanlışlığıyla ilgiliydi. İnsanlar toplumun yapısı hakkında temelden eleştiriler de yapıyorlardı ama yine de bütün bu çabaya, bu işe dahil olan binlerce, yüzbinlerce insana rağmen, çok bir şey olmadı. Biz aslında… Bir şey değiştiremedik. (Burada gözleri doluyor, önüne bakarak konuşuyor) Ve büyük makinenin çarkları dönmeye devam etti. O günden bugüne, yaklaşık 40 yıldan bahsediyoruz, dünyanın, özellikle de Batı’nın bu kadar muhafazakar olacağını hiç düşünmemiştim. Sürekli yenilmemize rağmen bir şeylerin iyiye gideceğini düşünerek ne saflık etmişim. İşler daha kötüye gitti.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Türkiye’de hükümet ve Fethullah Gülen cemaati arasındaki mücadeleyi nasıl değerlendiriyorsunuz? Birçokları artık bunun bir rejim krizi olduğunu söylüyor...</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Evet son birkaç hafta içinde New York Times bu konuda çok uzun birkaç makale yayınladı ama bütün bildiklerim bundan ibaret. Ama son beş-altı gündür bu konuda hiçbir şey yayınlanmadı.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Başbakan’la girdiğiniz polemiğin ardından ana muhalefet lideri sizi Türkiye’ye davet etti. Çok yoğun olduğunuzu ve belki bir dahaki sene gelebileceğinizi söylediniz. Artık o ‘bir dahaki sene’deyiz. Gelecek misiniz bu yıl Türkiye’ye?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Sanmıyorum çünkü durum hâlâ aynı. Bu davetten çok etkilenmiş olmakla beraber, değişmektense önceki duruşumu korumam daha doğru. Oraya gitmem Türkiye iç politikasına malzeme olacak.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Destek verdiğiniz insanlar sizi yanlarında görmekten kuvvet almazlar mı?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Türkiye’ye adım atar ve aynı şeyleri orada da söylersem saçma olur. Hiçbir ülke bir yabancının gelip işlerine karışmasından hoşlanmaz. Bir yazar olarak benim yazarlara karşı yapılan muameleyle ilgili bir fikrim var ve ben esasen bundan bahsettim. Benim savunduğum başka insanların görüşlerine hoşgörü. Herkes doğru fikre sahip olduğunu düşüyor. Oysa hepimiz aynı yemekleri sevmiyoruz. Beni hasta eden yiyeceği yemek zorunda değilim. Belki alerjim var. İdeoloji konusunda da böyle. Senin ideolojine karşı alerjim varsa beni rahat bırak. Beni ikna etmeye çalışmak zorunda değilsin. Ve mümkünse lütfen senin yediğin yemeği sevmiyorum diye beni öldürmeye de çalışma.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;">Eğer Arafat, Gandi olsaydı Filistinliler 30 yıl önce devletlerini kurmuştu </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">İsrail’in neden var olduğunu anlıyorum. Fakat Siyonizm fikri bana hiçbir zaman çekici gelmedi. Çünkü tek bir halka, tek bir dine, tek bir etnisiteye dayanan bir ülke kurulabilir mi bilmiyorum. Başlangıçta çok küçük bir grup insan geçmişle alakası olmayan, geleceğe odaklı bir yüksek toplum ve sosyalist ülke fikri taşıyordu. 1967’den sonra her şey yavaş yavaş değişmeye başladı. Aynı zamanda Filistinliler’e korkunç davranıldı. Eğer Arafat, Mahatma Ghandi olsaydı ve diğer Arap ülkeleri Filistinlilere gerçekten şiddet karşıtı bir hareket olmaları konusunda yardım etmiş olsaydı; ki biliyorsunuz Filistinlilere Ortadoğu’nun zencileri diyorlar; Filistinliler 30 yıl önce kendi ülkelerini kurmuş olurlardı. Ve en ufak bir şüphe olmadan bütün dünya onlarla olurdu. Ama şiddet şiddeti besliyor, nefretler, daha derine iniyor. Geldiğimiz bu noktada herhangi bir çözüm için artık kötümserim. İzak Rabin öldürülene kadar hâlâ umudum vardı. Ama o olaydan sonra her iki tarafta da çözüm için bir arzu kalmadığını gözlemliyorum.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Arafat Gandi olsaydı dediniz… Sizce Abdullah Öcalan Gandi olsaydı, Türkiye’deki Kürt meselesi bundan nasıl etkilenirdi? </b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Bilmiyorum ve bu konuda yorum yapmak istemem. Ama Arafat’ı yıllarca izlemiş biri olarak bunun (şiddetin) işe yaramadığını gördüm.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Mektup ya da roman, yazdıklarınızı hep birileri okusun diye yazdığınızı ve bu yüzden günlük tutmadığınız için geçmişinizin silindiğinden yakınıyorsunuz. Bu otobiyografik kitapla turnayı iki gözünden mi vurdunuz? Hem hayatınızın notlarını tutup hem de insanlara okuyabilecekleri bir şeyler sunmak...</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Hâlâ günlük tutmuyorum. Kitabı yazmaya başladım. Eski eşime yazdığım o mektuplar bana geldi. Sanki bir başkası, artık hiçbir bağlantım kalmamış bir yabancı tarafından yazılmış gibilerdi. Sonunda da dört bölümlü bu kitap ortaya çıktı. Asıl kaçınmak istediğim kendimden bahsetmekti. Çünkü kendimle o kadar ilgili değilim. Kendimden herhangi birini anlatır gibi bahsettim.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Eski eşinize, o zamanki sevgilinize yazdığımız mektupları yayımlarken otosansür yaptınız mı?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">İçlerinden alıntılar var ama çok kişisel kısımları koymadım tabii. Ergen ‘Love Story’me gidip gidip gelmek istemedim.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>O zaman yazdığınız mektuplardan birinde “Yazarak hiçbir zaman para kazanamayacağımı biliyorum” demişsiniz. Dünyaca ünlü bir yazar olduktan sonra fikriniz değişti mi?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Eh artık gençken olduğundan daha fazla param var…. Ama bu söylediğiniz durum uzunca bir süre geçerliydi. Evet, yeterince param var. Bu ne demek? Artık gençken yaşadığım gibi para yüzünden endişe duymama gerek yok. Çünkü parayla ilgili en kötü şey, sürekli onu düşünmen. Ve bu bir zehir. Kafanı sürekli nasıl yaşayacağına, kirayı nereden bulacağına yoruyorsun.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Kitabın bir yerinde “Yalnızdım ve huzursuzluk duyuyordum, aklım seksteydi” diyorsunuz... Cinsellik de para gibi mi? Olmayınca kafayı onla mı bozuyoruz?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Tabii hangi bağlamda söylendiği önemli bu lafın. Hiçkimseyle en ufak bir cinsel ilişkimin olmadığı bir dönemden söz ediyoruz. Tabii ki çok asap bozucu bir hale geldi. Eminim hepimiz zaman zaman, bu çok da mutlu olmayan pozisyona düşeriz ama bu da çok normal.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>14 yaşınızdayken yanıbaşınızdaki arkadaşınızın üstüne yıldırım düştü ve öldü. Zaman zaman tuhaf bir hayatınız olduğunu düşündüğünüz oluyor mu?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Hayır. Hatta şanslı bir hayat sürdüm. Şanslıyım çünkü başıma bir sürü olumsuz şeyin gelebileceği bir yerde doğmadım. Hiç savaşa katılmadım. Yaşadığım şehrin bombalandığına tanık olmadım. Ya da ailem bir toplama kampına gönderilmedi. Bütün bunları yaşayan milyonlarca insanın yanında şanslı bir insan olduğumu hiç unutmadım.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Anne ve babanız boşandı ama böyle birçok çocuk var. Sizin ve kız kardeşinizin yaşadığı zorlukları hep buna bağlamanız size de biraz takıntılı gelmiyor mu? </b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Hayır. O zamanlar benim yaşadığım dünyada kimse boşanmazdı. Ama mesele boşanmaları değildi. Kötü olan evliliklerinin ne kadar zavallı olduğuydu.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Aile demişken... Eşiniz Siri de yazar, kızınız Sophie de müzisyen oldu. Bizim ailede hiç olmadığı için merak ediyorum, üç sanatçının yaşadığı bir aile nasıl olur? Akşam yemekleri bienal tadında mı geçiyor?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Tabii ki hayır... Sophie müzisyen oldu ama artık büyüdü, eskisi kadar da sık görüşemiyoruz. Yaptığı şeylere, onları yapış biçimine hayranım. Ama bir okul öğretmeni olsaydı bundan mutlu olmazdım.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Oğlunuz? Onun da sanata ilgisi var mı?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">O da başarılı bir fotoğrafçı. Profesyonel olarak yapmıyor ama çok iyi bir gözü var.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Çok uzun zamandır Brooklyn’de yaşıyorsunuz. burası sizin için çok mu özel?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Brooklyn karma ve ilham verici. Bana ABD’deki en hoşgörülü yermiş gibi geliyor.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><b>Başka bir yerde yaşasaydınız, bu gençliğinizin şehri Paris mi olurdu?</b></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Bilmem, Paris’i çok severim ama herhangi başka bir yere taşınmayı düşünmüyorum. Burada kalacağım.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;">Sosyal medyada yokum. İnternetim de yok, bilgisayarım da, cep telefonum da. Çok ihtiyacım olursa Sophie’den falan yardım istiyorum bir şeylere bakması için. Biliyorum bir dinozorum, biliyorum herkes benden farklı düşünüyor ve biliyorum ki kimse benim yaşadığım gibi yaşamak istemiyor ama orada olmak için en ufak bir istek duymuyorum. Üstelik bütün o elektronik cihazları benle beraber taşımak zorunda olmadığım için de mutluyum.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><span style="margin-bottom: 10px !important;">Hayatımın en büyük eserini yazıyorum </span><br />Şu anda tam da ortasındayım. 250 sayfasını yazdım bile. Çok büyük bir kitap olacak hala en az iki-üç sene üzerinde çalışmam lazım. Bugüne kadar yaptığım her şeyden daha büyük bir eser olacak. Zor bir proje. Neyim var, neyim yok günde altı saat ona veriyorum. Ve bazen o gün sadece yarım sayfa yazmış oluyorum.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;">Tom Waits’in büyük hayranıyım. Keşke ben de müzik yapabilseydim. Daha iyi bir hayatım olurdu. Ama sıfır yetenek…</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;">Ben tatile çıkmam. Tırmanmak için dağlara gitmem ya da bir hafta boyunca şezlongun üzerinde bir sahilde uzanmam. Bunu hiç yapmadım. </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;">Eskiden çok spor yapardım ana artık yaşlıyım. Sırtımı incittim ve eskiden yaptığım gibi beyzbol, tenis, <a class="keywords" href="http://www.hurriyet.com.tr/spor/futbol/" style="-webkit-transition: 0.5s; color: #2882b7; display: inline-block; outline: none; padding: 2px 4px; text-decoration: none; transition: 0.5s;" target="_blank" title="futbol">futbol</a> oynayamıyorum.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><br /></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; margin-bottom: 10px !important;"><span style="font-size: small;">* 1947 New Jersey’de doğdu</span><br /><span style="font-size: small;">* 1970 Columbia Üniversitesi’ni bitirdi</span><br /><span style="font-size: small;">* 1971 Paris’te üç yıl süren öğrencilik sefası</span><br /><span style="font-size: small;">* 1981 Hâlâ birlikte olduğu ikinci eşi Siri Hustvedt’le nikah masasında</span><br /><span style="font-size: small;">* 1987 New York üçlemesi raflarda</span><br /><span style="font-size: small;">* 1995 Smoke (Duman) filmi vizyonda, Beyoğlu kasıp kavruluyor</span><br /><span style="font-size: small;">* 1998 Lulu on The Bridge (Köprüdeki Lulu) filminde kızını oynattı</span><br /><span style="font-size: small;">* 2006 İspanya’nın en büyük ödülü Asturias’ı aldı.</span><br /><span style="font-size: small;">* 2012 </span><a class="keywords" href="http://www.hurriyet.com.tr/index/recep_tayyip_erdo%C4%9Fan" style="color: #2882b7; display: inline-block; outline: none; padding: 2px 4px; text-decoration: none;" target="_blank" title="Başbakan Erdoğan">Başbakan Erdoğan</a>’la ‘Türkiye’ye gelirim gelmem’ polemiği</span></div>
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-2221595115286639462014-01-28T01:30:00.001-08:002014-02-01T03:09:55.561-08:00Saygı Duruşu: Pete Seeger <div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><img alt="File:Pete Seeger2 - 6-16-07 Photo by Anthony Pepitone.jpg" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/0c/Pete_Seeger2_-_6-16-07_Photo_by_Anthony_Pepitone.jpg/800px-Pete_Seeger2_-_6-16-07_Photo_by_Anthony_Pepitone.jpg" style="margin-left: auto; margin-right: auto;" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; font-family: sans-serif; line-height: 19.200000762939453px; text-align: left;">(3 Mayıs 1919 - 27 Ocak 2014)</span></td></tr>
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90. yaş...<br />
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<a href="http://www.yesmagazine.org/issues/climate-solutions/pete-seeger-how-can-i-keep-from-singing?utm_source=YTW&utm_medium=Email&utm_campaign=20140131">Yes!</a> mecmuasından bir söyleşi:</div>
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<dt style="font-weight: bold;"><img alt="Pete Seeger. Photo by Michael Bowman." height="364" src="http://www.yesmagazine.org/issues/climate-solutions/pete-seeger-how-can-i-keep-from-singing/peteseegerprofileByBowman555.jpg/image" style="border: none; vertical-align: middle;" title="Pete Seeger. Photo by Michael Bowman." width="555" /></dt>
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<span class="discreet" style="color: #76797c; font-size: 10px;">Pete Seeger photographed at him home in Beacon, NY. YES! photo by Michael Bowman.</span></div>
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<i>Pete Seeger passed away on Jan. 28 at New York-Presbyterian Hospital at the age of 94. His wife, Toshi Seeger, passed away last July. Pete was known around the world for his performance of the music of ordinary people, and for his passion for their concerns, especially labor struggles, the fight against war, civil rights, and cleaning up the Hudson River.</i></div>
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<i>In New York state's Hudson Valley, where he lived for most of his life, he was known for showing up unannounced at community events, banjo in hand. And, along with Toshi, he organized the annual Clearwater Sloop Festival, named for the famous sailboat he took up and down the Hudson River, reminding people to care for and protect their iconic river.</i></div>
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<i>Pete believed that change would come, not through big, grand pronouncements, but through the choices we each make. When I interviewed him in 2007, he said: “If there’s a world here in a hundred years, it’s going to be saved by tens of millions of little things.”</i></div>
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<i>And when I asked him about what it had meant to him to be famous for so many years, he scolded me for even asking. “Fame is a trap and an illusion,” he said.</i></div>
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Pete Seeger has been a presence in my life since the time I was growing up in the Hudson Valley of New York. My family was among the scores who went to see him perform at a run-down little park on the Hudson with his sloop, the Clearwater, docked nearby. His songs of his love for a polluted, neglected water-way rekindled in people a yearning for connection to the great river.</div>
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"If there's a world here in a hundred years, it’s going to be saved by tens of millions of little things."</blockquote>
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Later, I heard him sing at rallies against the Vietnam War, and I knew then that there were adults who shared my passion for peace and justice.</div>
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More recently, Pete Seeger has been sending post cards to YES! with ideas for stories we might cover, and he made a donation that he said should be used to send a copy of YES! to each of the foreign embassies located in the United States.</div>
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Finally, in December, I had a chance to talk to him in person. We met at the <a href="http://www.yesmagazine.org/article.asp?ID=2377" style="background-image: none; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #b4463c; padding-left: 0px; text-decoration: none;">home he built himself</a> on a ridge overlooking his beloved Hudson River. He introduced us to his wife, Toshi Seeger, told stories, sang us songs, and showed us his electric pickup truck, powered by the solar panels on his roof. Here is part of <a href="http://www.yesmagazine.org/article.asp?id=2440" style="background-image: none; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #b4463c; padding-left: 0px; text-decoration: none;">our conversation</a>:</div>
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<b>Sarah: </b>When did you first realize that music, especially the music of ordinary people, would define your life?</div>
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<b>Pete:</b> I didn’t know it would define my life. My mother gave me a ukulele at age eight, and I sang the popular tunes of the day.<br />[<a href="http://www.yesmagazine.org/article.asp?ID=2440" style="background-image: none; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #b4463c; padding-left: 0px; text-decoration: none;">Sings</a>] He’s just a sentimental gentleman from Georgia …</div>
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The other songs my family liked to sing were rounds.<br />Joy and temperance and repose …</div>
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I think my mother’s father taught it to her. He was a conservative New Englander. My father’s family were radical New Englanders—Unitarians and abolitionists from way back. But my mother’s father came from Tories.</div>
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<b>Sarah:</b> How did you go from pop music to folk music?</div>
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<b>Pete:</b> I was 16 when I came to New York. I had graduated to a tenor banjo in the school jazz band, and it was kind of boring—just chords, chords, chords. Then my father took me to a mountain music and dance festival in Asheville, North Carolina, and there I saw relatively uneducated people playing great music by ear.</div>
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I’ll never forget Mrs. Samantha Baumgarner, sitting back in her rocking chair with a banjo—oh, she’d painted the head of her banjo with brightly colored butterflies and flowers, and she was singing funny songs, tragic songs, violent songs, “Pretty Polly,” about murdering your true love.</div>
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<b>Sarah:</b> You did some <a href="http://www.yesmagazine.org/article.asp?ID=2365" style="background-image: none; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #b4463c; padding-left: 0px; text-decoration: none;">traveling with Woody Guthrie</a> later on, didn’t you?</div>
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<b>Pete:</b> He taught me how to hitchhike and how to ride freight trains. You don’t get on a freight when it’s in the station—the railroad bulls will kick you off. You go about 100 yards or maybe 200 yards outside to where the train is just picking up speed and you can trot alongside it. You throw your banjo in an empty car, and then you throw yourself in. And you then might go 200 or 300 miles before you stop.</div>
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Then I would knock on back doors and say, “Can I do a little work for a meal?” Or I’d sing in a saloon for a few quarters.</div>
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In six months I saw the country like I never would have seen it otherwise. I was curious to learn how workers were doing. I went out to Butte, Montana, which was a copper mining town then, and went a thousand feet down where it was hot, hot, and they were sweating, down there, working away.</div>
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Learning how to do something in your hometown is the most important thing.</div>
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They had a good union, though, and I knocked on the door and said, “I know some union songs, would you like to hear them?” And they paid me all of five dollars, which was a lot of money then, to sing some of the coal miners’ songs I knew from the East.</div>
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After World War II, we started a little organization we called People’s Songs. It was a very small organization; our publication had a circulation of about 2,000, and we finally went broke in 1949. The Cold War was too much for us. The ruling class knew just how to split the labor movement.</div>
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I dropped out of the communist movement about the same time as I moved up here to Beacon. I was never enthusiastic about being somebody who was supposed to be silent about being a member of something. On the other hand, I was still curious about what was happening to communist countries. I went to the Soviet Union three times, in 1964, and in 1967, I think, and again in 1981. I concentrated on singing songs of the civil rights movement, rather than the labor movement, because that’s what really turned my life around: seeing what <a href="http://www.yesmagazine.org/article.asp?ID=2046" style="background-image: none; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #b4463c; padding-left: 0px; text-decoration: none;">Dr. King</a>did, without using force and violence, whereas the communists said the world would not be changed without a great revolution. I think that was the big mistake.</div>
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<dt><img alt="Sarah van Gelder with Pete Seeger. Photo by Michael Bowman." height="230" src="http://www.yesmagazine.org/issues/climate-solutions/pete-seeger-how-can-i-keep-from-singing/seegervangelderByBowman350.jpg/image" style="border: none; vertical-align: middle;" title="Sarah van Gelder with Pete Seeger. Photo by Michael Bowman." width="350" /></dt>
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<span class="discreet" style="color: #76797c; font-size: 10px; font-weight: normal;">Sarah van Gelder with Pete Seeger. YES! photo by Michael Bowman.</span></div>
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<b style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 22.5216007232666px; text-align: start;">Sarah:</b><span style="background-color: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 22.5216007232666px; text-align: start;"> Did you witness for yourself what Dr. King was doing?</span></div>
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<b>Pete:</b> Toshi and I were on the march from Selma to Montgomery for three days. And I sang in Selma and Montgomery from time to time, and one time in Birmingham and in Mississippi another time.</div>
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It was only through the years that I realized what an absolutely extraordinarily thoughtful person King was. He insisted, from the beginning, in winning the bus boycott without violence.</div>
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Some of the middle-class African Americans would say, “Dr. King, accept a compromise. More people are going to be hurt and killed.” These were doctors and lawyers who didn’t want to lose their business. And the young people would say, “They bombed us. Why don’t we bomb them back?” And King would bring them together to talk and listen to each other, and it might take a whole day or sometimes two days or even three days. But finally, they’d say, “Okay, this is what we’ll say and this is what we’ll do. Because we know we have to work together or we’re not going to win.”</div>
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<b>Sarah:</b> Besides the labor and civil rights movements, you were also involved in the anti-war movement.</div>
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<b>Pete: </b>There are still battles among people who are not quite sure what kind of actions can be effective. I tend to agree with Paul Hawken that it’s going to be many small things.</div>
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I think of Tommy Sands, an Irish song leader, who got song leaders from the North and the South singing together for a whole evening. They had people there who’d been killing each other—Protestants and Catholics—and at the end of the evening, they tentatively started talking to each other.</div>
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<b>Sarah:</b> When you sing, “Bring Them Home,” you say “one of the great things about America is that we can speak our minds.” And you said that at a time when you had been blacklisted for many, many years. Can you talk about what it means to you to be a patriot?</div>
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<b>Pete: </b>Well, Toshi and I are both deeply proud that we were able to be part of the anti-Vietnam War movement. And I say this is one of the great victories for the American people.</div>
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Now here’s another story you might like. In Albany, a woman named Ruth Pelham, about 25 or 30 years ago, found she liked to make up songs for kids, and the kids in her neighborhood liked to hear her sing.</div>
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She saved up enough money to get a suitcase of instruments and a little van. She’d go to one neighborhood on Monday, another neighborhood on Tuesday, and so on, six days a week.</div>
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And it got to be a favorite thing in Albany to go to the music mobile.</div>
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And she’s a good songwriter:</div>
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We’re gonna look to the people for courage in the hard times coming ahead.<br />We’re gonna sing and shout, we’re gonna work it out, in the hard times coming ahead.<br />With people’s courage, with people’s courage, with people’s courage we can make it!</div>
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Second verse:</div>
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We’re gonna look to the people for laughter in the hard times coming ahead…</div>
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And people just add verses:</div>
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We’ve gotta look to the people’s chutzpah!…</div>
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Albany is a different town than it used to be because of it. A few years ago, the mayor of Albany had a big gathering, and there were hundreds of people there with her, singing together.</div>
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Oh, I haven’t even told you about our local group! It’s called the Beacon Sloop Club. When the Clearwater first stopped here, we had a little party. A thousand people, mostly young people, came. Toshi made stone soup. You know the story of stone soup? I’d never heard of it before, but I got it published in the local paper, and Toshi fed a thousand people out of one big iron pot.</div>
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One woman brought down a chicken, and said “I was going to feed it to my family, but they’re all here.” Another brought down a roast beef—”my family’s here, you might as well take it!”</div>
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And then, when the festival was over, everybody said, “Now I’ve got to get back to my family, my church, my business, my veterans’ organization,” whatever it was.</div>
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<dt style="font-weight: bold; text-align: center;"><img alt="Pete Seeger's banjo. Photo by Michael Bowman." height="300" src="http://www.yesmagazine.org/issues/climate-solutions/pete-seeger-how-can-i-keep-from-singing/SeegerbanjoByBowman200.jpg/image" style="border: none; vertical-align: middle;" title="Pete Seeger's banjo. Photo by Michael Bowman." width="200" /></dt>
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<span class="discreet" style="color: #76797c; font-size: 10px;">YES! photo by Michael Bowman.</span></div>
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<span style="background-color: white; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 22.5216007232666px; text-align: start;">And the next year when Clearwater started again, we had to start from scratch organizing the festival. At which point a teenager said, “Why don’t we have a sloop club here, so we have people who know how to put on a festival.”</span></div>
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I groaned. Another organization, minutes, elections. I called a meeting but only three people showed up.</div>
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Toshi said, “Don’t call it a meeting. Call it a potluck supper.” Then 30 people came. We have had a meeting the first Friday of the month for 36 years. When we have a holiday songfest, almost 200 squeeze in, and we’re practically part of the establishment. It’s funny.</div>
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Before the Clearwater started cleaning up the river, land was very cheap. This land was only $100 an acre when we bought it. Now my neighbor is trying to sell one acre for $100,000. That’s what’s happening in the Hudson Valley. The real estate people say, “We filled up Long Island. We filled up New Jersey. Now we will fill up the Hudson Valley.”</div>
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<b>Sarah:</b> [laughing] So you never thought you were helping the real estate industry when you cleaned up the Hudson?</div>
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<b>Pete:</b> I was complaining to a politician in Beacon, “We’ve grown too fast, we’re doubling every 20 years. We can’t do this forever. He says “Pete! If you don’t grow you die.” And, I didn’t know what to say, except at one o’clock in the morning I sat up in bed. “If it’s true that if you don’t grow you die, doesn’t it follow that the quicker we grow the sooner we die?”</div>
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That doesn’t mean that we know how to solve the problem. But the first step in solving a problem is admitting there is a problem to be solved.</div>
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<b>Sarah: </b>One of your most famous songs is “Turn! Turn! Turn! (To everything there is a season).” What kind of time do you think we’re in right now?</div>
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<b>Pete: </b>We are in a crisis time. I don’t give us a chance of—well, you never can tell. There might be a little tribe somewhere in the world on some isolated island, but I see human beings wiping each other off the face of the earth. We’ve invented such weapons—not just nuclear weapons but chemical weapons and all sorts of things.</div>
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I’ve been saying for years, it may be that <a href="http://www.yesmagazine.org/article.asp?id=2416" style="background-image: none; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #b4463c; padding-left: 0px; text-decoration: none;">climate change</a> is a wake-up call for the whole human race. It’s going to be a multi-trillion dollar disaster for the rich countries, and a human disaster for the poor countries. Where’s Bangladesh going to put 45 million people? And Calcutta, and other cities? It’s going to be a disaster like nobody’s ever seen—and I hope people like Bush and people from the oil industry are still living so that they can see what a mistake they made.</div>
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<b>Sarah:</b> <a href="http://www.yesmagazine.org/article.asp?ID=2123" style="background-image: none; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; color: #b4463c; padding-left: 0px; text-decoration: none;">What’s your secret</a> to getting children singing, getting people even at Carnegie Hall singing together, getting people to fall in love with their river and take care of it? Are there some things we can learn about why people choose to get involved?</div>
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<b>Pete:</b> Well, it’s been my belief that learning how to do something in your hometown is the most important thing. It’s not just me who thinks this. Margaret Mead said, “Never doubt that a small group of people can change the world, indeed it is the only thing that ever has.” And the great biologist René Dubos said, “Think globally, act locally.” And E.F. Schumacher said “Small is beautiful.” And now Paul Hawken. All these people are saying the same thing.</div>
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If there’s a world here in a hundred years, it’s going to be saved by tens of millions of little things. The powers-that-be can break up any big thing they want. They can corrupt it or co-opt it from the inside, or they can attack it from the outside. But what are they going to do about 10 million little things? They break up two of them, and three more like them spring up!</div>
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-9308816108344834632014-01-24T07:47:00.001-08:002014-01-24T07:47:07.745-08:00Dinlemeden Beğendim: "Morro Bay"<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td class="tr-caption" style="text-align: center;">Brazzaville - "Morro Bay" (2014) </td></tr>
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Brazzaville'in son albümünü dinlemeden beğenmeyeceksem, kimi beğeneceğim ben? </div>
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-42242308281652861932014-01-13T23:38:00.001-08:002014-01-13T23:38:10.591-08:00Haftanın Albümü: "New"<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuI-bonzCuwnte_6ABGrDbZMLOllSEj4plHnR9W-A4McUg2EXVYPDJhSXX04etRmT7Og1SlbO7Y1jQw9yCIe8lV0ykhB_GXkGLuyUxJcZEeypyKkDDyOig2CI0lWxG9k48SFLf61rac13W/s1600/paul-mccartney-new.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuI-bonzCuwnte_6ABGrDbZMLOllSEj4plHnR9W-A4McUg2EXVYPDJhSXX04etRmT7Og1SlbO7Y1jQw9yCIe8lV0ykhB_GXkGLuyUxJcZEeypyKkDDyOig2CI0lWxG9k48SFLf61rac13W/s200/paul-mccartney-new.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 13px;">Paul McCartney - "New"</td></tr>
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İster inanın, ister inanmayın, Paul McCartney'den The Beatles ayarında albüm...<br />
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Not: Belki, bazı "gençler" hoşlanmayabilir...</div>
Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0tag:blogger.com,1999:blog-7351199998625019362.post-55180225301406866942013-12-26T06:43:00.000-08:002014-01-09T07:54:59.610-08:00Ak Koyun Kara Koyun Belli Oldu: İşte Yılın En İyileri<div dir="ltr" style="text-align: left;" trbidi="on">
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Bu listeyi facebook sayfama da koymayı planlıyorum ama bu açıklamaları yapmadan... Dolayısıyla bu çok özel açıklamalardan sadece sizler yararlanacaksınız. </div>
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Alın size işte bir yılbaşı hediyesi!!</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6b3BAIbUugOBeGraN9765_nHT9tZHOMJXfRCTCadRc48-62X21SE_jIULnKuJmqluLuVdkbQtnII9dkBINqcGyVG8ErB6nME7f-XFzED785xZrRgjrKrg2WfqGf0bbg1114WLYSKw-_g/s1600/1504054_1400413753539826_846350872_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6b3BAIbUugOBeGraN9765_nHT9tZHOMJXfRCTCadRc48-62X21SE_jIULnKuJmqluLuVdkbQtnII9dkBINqcGyVG8ErB6nME7f-XFzED785xZrRgjrKrg2WfqGf0bbg1114WLYSKw-_g/s1600/1504054_1400413753539826_846350872_n.jpg" height="320" width="320" /></a></div>
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<b>1. Kurt Vile - "Walkin On A Pretty Daze"</b></div>
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Kurt Vile'in bir önceki albümü de çok iyi eleştiriler almıştı, ona o zaman pek ısınamamıştım. Sonra tekrar döndüm ve yine ısınamadım. Bu albüm ise başka, bambaşka... Bazı şarkıları "killer" olarak adlandırıyorum.<br />
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<b>2. Kayne West - "Yeezus" </b></div>
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Kayne West şımarık, mımarık, itirazım yok... Ama "Yeezus" rap albümlerinin "Kid A"i gibi bir şey... Belki bu sene konserine de gitttiğim için biraz torpil geçiyorum, ama ilk beşten aşağısı kurtarmazdı bu minimalist şaheseri...<br />
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<b>3. Daft Punk - "Random Access Memories"</b></div>
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Bu albüm bir pop albümü nasıl olur cümle aleme gösterdi bu sene.<br />
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<b>4. Arctic Monkeys - "AM"</b></div>
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İlk dinleyişte, enerjiden yoksun demiştim, ama sonra anladım ki, çocuklar büyümüş. Bu olgunluk albümü, kesinlikle klasikleşecek. </div>
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<b>5. Janelle Monae - "The Electric Lady"</b></div>
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Rihanna ile Pink Floyd arasında bir yerlerde!</div>
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<b>6. Bilal - "A Love Surreal"</b></div>
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Saykodelik bir "Still Got The Blues".</div>
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<b>7. Julian Cope - "Revolutionary Suicide"</b></div>
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Deneysel rock'da zirve... Ve çok acayip lirikler. </div>
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<b>8. Drake - "Nothing Was The Same"</b></div>
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Bu çocuk nasıl rap yapacağını biliyor.</div>
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<b>9. Justin Timberlake - "The 20/20 Experience"</b></div>
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Çok düşündüm, bu albümü en iyiler arasına alacak medeni cesaretim olup olmadığını... Sözlerini bilemiyorum, ama müzik gayet iyi...<br />
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<b>10. The Child of Lov - "The Child of Lov" </b></div>
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Bir çeşit TV On The Radio.</div>
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<b>11. Vampire Weekend - "Modern Vampires of the City"</b></div>
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Bisiklet sürüp bu albümü dinlediğim günü unutamam!<br />
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<b>12. King Krule - "6 Feet Beneath the Moon" </b></div>
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Dünyaya düşen adamdan hem tuhaf hem muhteşem şarkılar.</div>
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<b>13. Queens of the Stone Age - "…Like Clockwork"</b></div>
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Çölde yetişen çiçek.</div>
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<b>14. Danny Brown - "Old"</b></div>
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Süper rap. </div>
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<b>15. Franz Ferdinand - "Right Thoughts, Right Words, Right Actions"</b></div>
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En eğlenceli albüm.</div>
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<b>16. Earl Sweatshirt - "Doris" / Chance the Rapper - "Acid Rap"</b></div>
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<b>17. Arcade Fire - "Reflektor" </b></div>
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Arcade Fire, daima çok uğraşıyor albümleri üzerinde... "Reflektor" yılın en iyi albümü değil, ama o kadar uğraşılınca...</div>
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<b>18. David Bowie - "The Next Day"</b></div>
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Yılın en sevdiğim şarkılarından birisi "Valentine's Day" oldu.</div>
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<b>19. Dr. Dog - "B-Room" </b></div>
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<b>20. Pretty Lights - "A Color Map of the Sun" </b></div>
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Eğer ben bir dans albümüne takılmışsam, o hakikaten iyidir demektir. Çünkü, genelde takılmam.</div>
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Pembe Gözlüklü Kedihttp://www.blogger.com/profile/05546087464267792388noreply@blogger.com0